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	July 13/Rain date July 20

ALL OUTDOOR Performances begin at 8:30pm.  TIP Box Office opens at 7pm on performance evenings.  Gates to the seating area open at 7:30pm. Hello, Dolly! runs approximately 2 hours and 15 minutes with one 15 minute intermission. ABOUT This musical adaptation of Thornton Wilder's hit play The Matchmaker bursts with humor, romance, energetic dance and some of the greatest songs in musical theatre history. The romantic and comic exploits of Dolly Gallagher-Levi, turn-of-the-century matchmaker and "woman who arranges things," are certain to thrill and entertain audiences again and again. Hello, Dolly! premiered on Broadway on January 16, 1964 at the St. James Theatre. Opening with Carol Channing in the title role, the show ultimately played for 2,844 performances, making it – at the time – the longest-running Broadway musical in history. The West End production ran for 794 performances at London's Drury Lane Theatre. The musical has been revived several times on Broadway, most recently in 2017, starring Bette Midler as Dolly Levi.

SHOW CREDITS:

HELLO, DOLLY!
Book by Michael Stewart Music and Lyrics by Jerry Herman 
Based on the play The Matchmaker by Thornton Wilder 
Original Production Directed and Choreographed by Gower Champion 
Produced for the Broadway Stage by David Merrick and Champion Five, Inc. 
HELLO, DOLLY! is presented by arrangement with TAMS-WITMARK, a Concord Theatricals Company www.concordtheatricals.com

Production Team:

Director/Co-Choreographer: Liz Ernst
Stage Manager: Amelia Oberg
Assistant Stage Managers: Chase Ellis, Sydney Culley
Accompanist/Vocal Director/Conductor: Pam Williamson
Co – Choreographer: Hannah Ernst
Costume Designer/Coordinator: Libby Bradley
Wardrobe Supervisor: Grant Martin
Props Designer/Coordinator: April Bishop             
Scenic Designer: Kelly Vogel 
Hair & Makeup Designer: John Hollan

Lighting Designer: Justin Dudzik
Sound Designer: Brady Rose

Hello Dolly Orchestra

Rawlan Cave - Bass
Steve Adams - Trombone
Ben Dresbach - Tenor Saxophone
Lee Hake - Trumpet
Sarayah McClure - Flute
Noah Moore - Trumpet
Abby Van Oosbree - Clarinet & Alto Saxophone
Iason Wilson-Brown - Drums
Joe Gall - Clarinet & Tenor Saxophone 

Cast

Dolly Gallagher Levi – Margo Mikkelson
Horace Vandergelder – Chris Halford
Cornelius Hackl -Patrick Graham
Irene Molloy – Jessica Alcorn
Barnaby Tucker – Weston Thomas
Minnie Fay – Layla Abu Saada
Ambrose Kemper – Jack Wilson
Ermengarde – Isabella Lorna
Ernestina – Katherine Petersma
Rudolph Reisenweber – Stuart Jackson

Ensemble
Nicholas Crawford
Ivan Calderon
Reece Dickerson
Owen Unrien
Trevor Lewis
Hayden Krapes
Gavin Ruder
Paul Ruf
Cody Kreutzer
Clara Thompson
Harper Wright
Abby Allen
McKenna Bizal
Maeve Murphy
Alicen Silva
Anna Avery
Megan Clifford

 

SYNOPSIS

Act I
In turn-of-the-century Yonkers, New York, everyone turns to professional meddler and matchmaker Dolly Gallagher Levi for advice on romance, practical matters and everything else (“Call on Dolly”). Dolly, of course, is happy to oblige (“I Put My Hand In”).

The town’s miserly half-a-millionaire Horace Vandergelder, a widowed hay & feed dealer, seeks a second wife (“It Takes A Woman”) and hires Dolly to find him a suitable match. Though she arranges for Horace to meet the young widow Irene Molloy, Dolly clearly has her own interest in Horace—and his money. Meanwhile, a young artist named Ambrose Kemper seeks Dolly’s assistance in acquiring the hand of Vandergelder’s niece, Ermengarde.

When Vandergelder leaves Yonkers for New York City to court Mrs. Molloy, his clerks, Cornelius Hackl and Barnaby Tucker, decide to take an unauthorized holiday themselves, vowing to find adventure in the big city (“Put On Your Sunday Clothes”). Meanwhile, in her New York hat shop, Irene wistfully considers pursuing a new relationship, or at least a flirtation, after years of mourning her late husband (“Ribbons Down My Back”).

Barnaby and Cornelius arrive in New York City and excitedly explore the sights. They spot Vandergelder on the sidewalk and hurriedly take refuge in the nearest shop, which happens to be Irene’s millinery. Cornelius and Irene are immediately smitten, but Vandergelder appears at the shop door, and the young men scramble to hide. Dolly, arriving just in time, joins Irene and her assistant Minnie Fay as they distract the irate Vandergelder (“Motherhood March”). Frustrated and thoroughly flummoxed, Vandergelder leaves in a huff.

As partial recompense, Dolly orders the clerks to take Irene and Minnie to the lavish Harmonia Gardens restaurant for dinner. Cornelius, who clearly could never afford such an extravagance, claims he can’t dance, but the versatile Mrs. Levi teaches him on the spot, and soon the two couples are waltzing romantically (“Dancing”). The young foursome runs off to watch a parade, and Dolly – addressing her late husband, Ephraim – reaffirms a desire to move on with her life (“Before the Parade Passes By”).

Act II
Cornelius and Barnaby, too poor to afford a taxi, persuade the ladies that walking to the restaurant is far more elegant than hiring a hack (“Elegance”).
At the Harmonia Gardens, Rudolph, the majordomo, exhorts his waiters to provide even better and faster service tonight—Dolly Levi is coming back! In a welter of dazzling precision, criss-crossing at breakneck speed, the staff prepares for Dolly’s arrival (“The Waiters’ Gallop”). Cornelius and party arrive and occupy a luxurious private dining booth, complete with drawn curtain. Horace and his date, Ernestina Money, reputed by the conniving Dolly to be an heiress, sit in another. Ernestina, who proves to be less refined than Horace had hoped, soon gets drunk and passes out.

Finally, Dolly makes her grand entrance and the entire restaurant celebrates (“Hello, Dolly!”). Dolly settles down to eat with Horace, talking incessantly and repeatedly rejecting a proposal of marriage… which he never makes.

A dance contest begins (“The Polka Contest”), and just as Ambrose and Ermengarde are declared the winners, Horace discovers he has the wrong wallet; he and Barnaby, through a mix-up, have exchanged them. In the melee that follows, Rudolph calls the police, and the whole party is arrested. In the courthouse, Cornelius admits he’s no playboy millionaire, but it doesn’t matter; he loves Irene and he’ll always have the memory of one miraculous day (“It Only Takes A Moment”). The judge, moved by Cornelius’s sentiment and persuaded by Dolly Levi, Counselor-At-Law, dismisses everyone except Horace Vandergelder. Horace expects Dolly to help him, but instead she chooses to walk away (“So Long, Dearie”).

The next morning, back in Yonkers, a chastened Horace Vandergelder reflects on the recent events in his life and realizes he’s hopelessly in love with Dolly. Dolly enters the store and convinces Horace to take Cornelius as his business partner and allow Ambrose and Ermengarde to marry. Still unsure about marrying Horace, Dolly asks her late husband Ephraim for a sign. Horace, who has hired a fledgling businessman to renovate his home, spontaneously repeats an old saying of Ephraim's: "Money is like manure. It's not worth a thing unless it's spread about, encouraging young things to grow." Satisfied, Dolly agrees to marry Horace and vows she’ll “never go away again” (Finale: “Hello, Dolly”).

(Synopsis from www.concordtheatricals.com)